Lucy Martin - Executive Producer
'Wolfblood IV was a total reboot of the show. We went from rural to urban, shot more night and featured more VFX than ever before. James was the perfect man for the job. No challenge was too big, no schedule impossible and there was always a smile to accompany stellar work'
'His speed and co-operation in no way compromise his flair for creating lighting which compliments the tone of the scene.'
Renny Rye - Director
'He is the best young DOP I have come across for some years. His work as an operator was faultless and his lighting has a classic clarity that greatly enhanced our film.'
Alex Pillai - Director
The scale and budget of production was large, involving night scenes, stately homes and visual effects. James proved an excellent collaborator in every aspect of the job - in staging scenes, in understanding the technicalities of the visual effects, and in lighting large interiors. Whilst the quality of the image is always his concern, James sees as his priority the service of a director's vision, and works hard to ensure that the actors' performances are enabled by the economy and speed of his lighting. I found that James has a positive approach to every idea, and believe he would be an ideal creative partner for any director.'
Jo Wright - Producer
'James's air of calmness, mood of lighting and creative contribution, mean I know we'rre always in good hands.'
Ian Strachan - Line Producer
"A fast yet thoughtful lighter who can work within a budget, and an excellent operator to boot."